Ransom by Adidas Backcountry Photo Shoot

Recently I spent a few days in the British Columbia backcountry shooting the 2011 fall catalogue for a Ransom shoe collaboration with Adidas Originals. The catalogue will have a large "out there" wilderness crossed with a camping/exploring vibe.

Logistics manager Shin Campos goes over some options with Ransom creator and designer Matt George.

Mary was there to host a behind the scenes piece for Fashion TV. I think she was looking for Starbucks when this shot was taken.

Mary and Matt introduce the concept and location for Fashion TV.

Our base camp during the shoot. No room service provided.

We shot a few pieces in this ice cave. Lucky we where not in there when it all came crashing down 15 minutes later. We would have all died. Honestly.

A view from my tent one morning.

Our crew follows me after being dropped by helicopter.

Working in the rain always makes thing a bit harder.

A test shot of Cody in the ice cave.

Another test shot of Cody, this time in the woods.

Behind the scenes interviews with model Cody and Matt George.

Published in American Photo

I recently submitted a few photos to American Photo for their feature on sports photography and was thrilled to find this photo of Mikkel Bang was published. The photo was taken this winter. We were in the Whistler backcountry, it was late in the day, and my crew was still motivated to get shots. This was Mikkel's first time hitting the jump. He was trying a backside 180 and misjudged his speed and went way too big. He opened up like this to keep his balance. On the next try he got the trick but it just doesn't look as cool as this one.

Outside Magazine BG Winter 2010

Outside Magazine just dropped their Buyer's Guide issue on the newstands this month. Inside you will find a photo I took of Mads Jonsson from a Standard Films shoot as well a photo of Kale Stephens playing in his backyard, Whistler BC.

Because it's socked in so often, British Columbia can be difficult to shoot. So when the sun came out for Serfas in the remote backcountry of Terrace, BC, the 36-year-old Vancouver native took full advantage, stretching the four-day shoot as long as the weather held. It paid off. On the tenth and final day of the trip, Serfas caught this image of pro rider Mads Jonsson, 26, pulling a frontside 360 as he raced down pillows of powder-covered, corniced rocks. The best part? Serfas got to go first. "There was a point riding down when I was just laughing at my good luck," he says. -Lisa Lombardi

Kale Stephens, Avoiding the crowds at Whistler-Blackcomb

My Early Snowboard Photography Career 1992-1997

Every week I get at least one email from a guy who wants to become a snowboard photographer. They want to know what I did to get where I am now. The answer is simple. Shoot and submit. I used to take photos of my friends on weekends and then send them to the mags. I shot with an old manual camera on cheap print film and processed it in 24 hours at the drug store. Then I would send a self addressed stamped envelope to Jon Foster, TWS photo editor back then, with all my "jems". I had no clue what I was doing, and I'm sure it showed. Here is a photo I took of Devun Walsh on Blackcomb in '92 that I submitted to TWS. It would have been one of my first submissions. Devun and I were just weekend warriors back then.

In 1993 I had been shooting skate and snow photos for about a year and had a few shots published in a local zine that you could pick up at the local skate/snow shop. At this time I had saved up enough extra cash to buy a used fisheye lens. Excited to try it out I took it to Whistler on one of my weekend trips. I remember telling this girl I knew that the closer you hold the lens to something, the bigger it would look. She thought that was great, lifted her shirt and said "make these look bigger then". From that moment I fell in love with the fisheye. The following day I shot this photo of Nova Scotian transplant Scott Doucette at the Camp of Champions. "Douce" is now back in Nova Scotia where he runs a record label with his boy Trevor Andrew and doing quite well.

One day in 1995 I was talking with Kevin Sansalone and told me that some backcountry hikers told him of a zone behind Mt. Seymour that we could hike to and build jumps. Only a few people would go back there each month so most days would be untracked. We woke up one sunny day and decided to check it out along with Devun Walsh. I remember post holing a trail up in knee deep powder for about 30 minutes before stopping to build a jump on a knuckle we found. I set up and starting shooting. Devun yelled for me to come up to where he was dropping in from and have a look. Wow, you can see the city from here! I spent the rest of the session shooting from behind showcasing Vancouver in the background. It was on this day that the "city-booter" was born and from that day on, countless pros and wannabes have hiked this popular zone, turning the Seymour Backcountry into a household name.

In 1997, a group of us built this jump for the first time in the Mt. Seymour Backcountry and had Ross Steffy there to film it for Mack Dawg. Our crew was Rob Dow, Devun Walsh, Graham Clements and visiting pro Joey McGuire. Devun and Joey killed it with all kinds of 3's and 5's while Dow launched picture perfect methods for my camera. He wasn't too concerned about the video shot since he didn't have a spot in the movie. This photo was published as a Vans ad and won the "best ad" award in a Visual Arts magazine. Later that year, a photo I shot of Joey ended up on the cover of Snowboarder Magazine, and ever since the jump has been known as the McGuire hit.

For a few years around 1998 Rob Dow and Devun Walsh shared a basement suite of a house. Upstairs lived Dave Cashen and Graham Clements. This house, on Chesterfield Avenue in North Vancouver was known in the local snowboard community as the Chesterfield House. These guys didn't hold parties at the Chesterfield house, parties found the Chesterfield house. Every night was a new adventure, you just never knew who was gonna show up and what was gonna be lit on fire, stolen, broken or flipped upside down. One night we were all hanging out drinking and cabbed it downtown for the last 2 hours of the hip hop night at the Red Lounge. When we returned to the house all the doors downstairs were broken off the hinges and laying in the front yard. The kitchen floor was covered in broken glass and no one had any idea what happened. Just another weird night at the Chesterfield house. The next morning we woke up to sunny skies and headed to Whistler to shoot photos. I remember riding up the peak chair with Dev and he told me that he was still pretty drunk and not down to shoot. Until he got off the chair that is, and saw this cliff waiting for him on the backside. This was a pretty big cliff to stomp when your cross eyed.

Lucas Debari Photo - TWS October Issue

This photo of Lucas Debari was shot in one of Whistler's best backcountry spots. It has almost every type of terrain all easily accessible by snowmoblie.

This particular day in March started from the Mohawk gas station in the Whistler Creekside at 5 am. After stocking up on the days gas and food we rode about 10 km into the backcountry. We were the first crew up and had our pick of all the best jumps and cliffs. We started off with a few easy pat-down cliffs that took only a few minutes to shoot before heading to a spot where the crew wanted to build a huge jump. That was also very successful. While sitting on the lake having lunch, I looked over and started thinking of how this line of spines could be ridden. The angle to shoot was right from where my sled was parked. I thought maybe someone could come in from the left and make a few turns down the main spine. I brought it up with the crew and they were down. Lucas got to the top and said fuck it, I'm just gonna point it from here! Music to any photographers ears. He dropped in, straight lined it and air'd out at the bottom. Wow. He was so pumped that he went back up and air'd into the pocket and then air'd back out. That's that shot you will see in the People Creative movie this year, however the first photo without any tracks happens to be much better and is the photo here that was published in the October issue of TWS.

Benji Ritchie Photo - TWS September Issue

This photo of Benji was published in the first issue of Transworld Snowboarding this season in the framed section. Its one of my favorites from this season.

Whistler had a lot less snow this year and a lot more sun. It made for a pretty good season since I was able to shoot more (more sun = more photos) and due to the lack of snow we ended up shooting new features, creating more variety from years past.

This new jump was surprisingly a quick build and the riders (Rencz, Ritchie, Lyall and White) were amped to hit it. I spent at least an hour searching for a spot to shoot from (there was no obvious angle for it) before I decided to hike down the steep face on the side for a look. It was a little sketchy going down since the face was in full sun and starting to bake, and with me stomping around there was a chance of it sliding. It didn't.

Mikey Rencz hit it first and tried a cab 9. Holy shit he went big, I thought he was aiming for a landing spot a bit higher. I guess it rolls over so much that landing higher is almost impossible. With a bit of a hand drag, the crew agreed to let him hit it one more time before the others would start in. Again, huge and no land. Benji was up next and threw this cab 9 (the mag says 7 but its a misprint) and stomped it! I think Mikey stomped his next try.

In reality, you spend 10 days in less than ideal light, snow and location in order to get a day like this. The thing is, it's always worth it.